Discuss Murder in the Cathedral as a poetic drama
T.S. Eliot’s “Murder in the Cathedral” stands as a masterpiece of poetic drama, blending the elements of both poetry and drama to create a work that transcends traditional boundaries.
Here’s how “Murder in the Cathedral” exemplifies the characteristics of a poetic drama:
1. Poetic Language and Imagery:
- Elevated Language: The play is written in verse, with richly poetic language that enhances the dramatic impact of the dialogue. Eliot’s use of heightened language, including metaphors, allusions, and symbolism, imbues the play with a sense of grandeur and lyricism, elevating it above the realm of ordinary speech.
- Evocative Imagery: Eliot employs vivid imagery to evoke a sense of atmosphere and mood throughout the play. Descriptions of the cathedral, the characters, and the spiritual themes are rendered with striking imagery that engages the reader’s senses and imagination, creating a powerful and immersive theatrical experience.
2. Symbolism and Allegory:
- Symbolic Characters and Themes: “Murder in the Cathedral” is rich in symbolism and allegory, with characters and events representing broader themes and ideas. The character of Thomas Becket, for example, serves as a symbol of martyrdom, spiritual courage, and resistance against tyranny. His conflict with King Henry II and the temptations presented by the Four Tempters are allegorical representations of the struggle between worldly power and divine authority.
- The Cathedral as Symbol: The cathedral itself functions as a central symbol in the play, representing both the spiritual center of the community and the enduring power of faith and tradition. The cathedral’s architecture, history, and significance are woven into the fabric of the play, serving as a backdrop against which the drama unfolds.
3. Rhythmic Structure and Sound:
- Musicality of Language: Eliot’s verse is characterized by its rhythmic structure, musicality, and use of sound patterns. The play’s dialogue is carefully crafted to create a sense of rhythm and harmony, enhancing the poetic quality of the text and heightening its dramatic impact. The use of repetition, rhyme, and meter lends a sense of musicality to the language, drawing the audience into the emotional and spiritual dimensions of the play.
- Choral Interludes: “Murder in the Cathedral” includes choral interludes, where a chorus of women serves as a Greek chorus, commenting on the action and providing insight into the characters’ thoughts and motivations. These choral passages add a choral dimension to the play, contributing to its poetic and theatrical resonance.
4. Exploration of Spiritual Themes:
- Spiritual and Philosophical Inquiry: At its core, “Murder in the Cathedral” is a profound exploration of spiritual and philosophical themes, including faith, martyrdom, free will, and the nature of divine providence. Eliot’s poetic drama delves into the complexities of religious belief and human existence, challenging the audience to grapple with profound questions of morality and salvation.
- Inner Conflict and Spiritual Growth: The character of Thomas Becket undergoes a journey of inner conflict and spiritual growth throughout the play, wrestling with his conscience and ultimately embracing his fate as a martyr. His struggles reflect Eliot’s exploration of the human condition and the quest for spiritual enlightenment in the face of adversity.
Conclusion:
“Murder in the Cathedral” exemplifies the characteristics of a poetic drama, combining the richness of poetic language and imagery with the dramatic power of theater. Through its symbolism, allegory, rhythmic structure, and exploration of spiritual themes, Eliot’s play transcends the boundaries of traditional drama, offering a profound and transformative theatrical experience. As a work of poetic drama, “Murder in the Cathedral” continues to captivate audiences with its timeless themes and poetic brilliance.